Showing posts with label Culture. Show all posts
Showing posts with label Culture. Show all posts
Tuesday, January 31, 2012
The Cedar Revolution Happened - Live with it
The above image [one of thousands] is dedicated to Culture Minister Gaby Layoun, a member of the Aounist FPM, who has moved to have the "Cedar Revolution" removed from Lebanese history books. For now, you can read up on the story here. For later, say 2013 later, you can do your part by voting against the FPM candidates in your parliamentary district.
After all, free elections and the institution of a tutelage-free democracy, are a legacy of the "Cedar Revolution".
Wednesday, July 27, 2011
Tuesday, June 21, 2011
A New Way to View the Arabic Alphabet
Via Salon:
As a student at Central Saint Martins in London, Rana Abou Rjeily devised the font family Mirsaal, which comprises Arabic and Latin alphabets that work together in typographic harmony. Growing up in Lebanon speaking Arabic, French and English, she found Arabic, her first language, the hardest of the three to learn. In her design classes in London, her classmates were drawn to the calligraphic aesthetics of written Arabic, but they were not able to read the script; they just admired the forms.
Abou Rjeily decided to continue the established tradition of "simplifying" Arabic in order to make it more accessible to nonnative speakers. Back in 1947, the Lebanese architect and typographer Nasri Khattar created Unified Arabic, a 32-character detached alphabet that, according to Abou Rjeily, "was meant to ease the learning and writing of the scripts by reducing the number of shapes letters could assume."
In the 1990s, Mourad Boutros (a leader in the field of Arabic typography since the 1960s, and someone else I have worked with on two books) designed Basic Arabic, "a compromise between Khattar's radical proposal to abandon cursive script and the idea of designing a typographic script with only one shape per letter that would not be joined together when printed."
In Cultural Connectives, Abou Rjeily presents Mirsaal, a contemporary take on Khattar and Boutros' creation of detached Arabic scripts for the benefit of learning and being able to achieve typographic balance between the two alphabets. Relying on the fundamental aspects of both the Arabic and Latin alphabets, Abou Rjeily showcases the versatility of Mirsaal by making clear how different the two alphabets are and how she has fused elements of both to design two attractive and incredibly useful fonts....
Labels:
Culture,
Lebanon,
Literature,
Media
Wednesday, April 20, 2011
US Congress Honors Lebanese Writer Ameen Rihani
Labels:
Culture,
Lebanon,
Literature,
USA
Thursday, April 7, 2011
Arab Satellite Stations Covering For Syrian Slaughters
Demonstrators call for freedom at the funeral of eight protesters in the Damascus suburb of Douma in this still image taken from an April 3, 2011 amateur video. Syrian protests which broke out in the southern city of Deraa nearly three weeks ago have taken root in an urban centre near Damascus, where thousands gather every night to mourn demonstrators shot dead by security forces. The Sunni Muslim suburb of Douma has emerged as a new focus of defiance against the 11-year rule of President Bashar al-Assad, shaken by the protests which spread across Syria after first erupting in Deraa. Video shot April 3, 2011 (Reuters Pictures via Daylife).
Michael Young makes an passionate plea for the support of the two major Arab satellite channels in integrating the Syrian revolt into the broader thread of the Arab Spring. Their refusal to do so is shameful. Abridged version below but the article deserves to be read in full:
Michael Young makes an passionate plea for the support of the two major Arab satellite channels in integrating the Syrian revolt into the broader thread of the Arab Spring. Their refusal to do so is shameful. Abridged version below but the article deserves to be read in full:
...
Why have the major satellite stations, Al-Jazeera but also Al-Arabiya, been so profoundly reluctant to highlight the Syrian protests? Why have stations like Al-Hurra and the BBC Arabic channel been so much more imaginative, thorough, and professional in pursuing the story? ...
Take last Friday, when Syrian protesters had called for a “day of the martyrs,” in honor of those gunned down by the Syrian security forces in Deraa and elsewhere. The demonstrations were to begin after noon prayers, at around 1:30 p.m. Yet for two good hours, both Al-Jazeera and Al-Arabiya relegated the Syria story to a brief and distant third in their broadcasts, focusing instead on Yemen and Libya. And when the day was over and the bodies had been counted, Syria was still not a priority. Al-Jazeera’s nightly news satisfied itself with showing telephone videos from the protests, with little commentary.
...
Showing telephone videos of people marching, or being shot at, is useful. However, without a context, without an informed explanation of what is going on and what viewers are seeing; without playing these videos on air to Syrian officials and demanding that they explain the murder of unarmed civilians expressing themselves peacefully, the power of media is stunted. One gets a nagging sense that the coverage on Al-Jazeera and Al-Arabiya is an outcome of political compromises, but also, in Al-Jazeera’s case, of the station’s ideological agenda.
...
To toss Al-Jazeera and Al-Arabiya into the same basket is entirely justified here, because both Saudi Arabia and Qatar share a desire to avert a breakdown in Syria, fearing that chaos might ensue. ...
...
In his speech last week before the Syrian Parliament, Bashar Assad bluntly accused the Arab satellite stations of inciting the rallies against his regime. But what the Syrian president was really doing was sending a message to the leaders of Saudi Arabia and Qatar principally, informing them that if they really wanted him to stay in office, they were better off keeping a lid on their satellite journalists. That warning, or threat, appears to have had an impact. ...
...
The hypocrisy of Al-Jazeera, the most popular Arab satellite station, is especially worthy of mention. In Egypt, Libya or Yemen, for instance, the station devotes, or has devoted, long segments allowing viewers to call in and express disapproval of their leaders alongside their high hopes for the success of the revolution. In Syria, nothing.
... The same lack of enthusiasm characterized the station’s coverage of Lebanon’s Independence Intifada against Syria in 2005. ... But to go after Bashar Assad means reversing years of Al-Jazeera coverage sympathetic to the Syrian leader. ...
So the Syrians find themselves largely abandoned today, their struggle not enjoying the customary Al-Jazeera treatment – high in emotion and electric in the slogans of mobilization. The televised Arab narrative of liberty has not quite avoided Syria, but nor has it integrated the Syrians’ cause. As the Arab stations weigh what to do next, they may still hope that the Syrian story will disappear soon, and their duplicity with it. Shame on them.
Related Posts:
Labels:
Arab Spring,
Culture,
Media,
Syria
Wednesday, April 6, 2011
Wikileak's Julian Assange Getting Down
Apparently the above video is of Wikileaks founder Julian Assange busting some moves at a Rejkjavik night club. Enjoy!
Labels:
Culture,
Viral Video,
Wikileaks
Saturday, April 2, 2011
Lebanese Stand-up Comedy: Nemr Abou Nassar
The above is a video of Lebanese stand-up comedian Nemr Abou Nassar performing his Eye of the Tiger show live in Lebanon. Checkout Nemr's Facebook page and catch the rest of the Eye of the Tiger show's part 2 and part 3.
Nemr will be performing his EPIC show in Lebanon on April 8th and 9th. Click here to buy tickets or visit any Virgin Megastore branch in Lebanon.
Nemr will be performing his EPIC show in Lebanon on April 8th and 9th. Click here to buy tickets or visit any Virgin Megastore branch in Lebanon.
Labels:
Comedy,
Culture,
Entertainment,
Lebanon
Friday, September 10, 2010
Hizballah's New War Museum
Labels:
Culture,
Hizballah,
Lebanon,
South Lebanon
Tuesday, September 7, 2010
Tuesday, July 20, 2010
Reviewing Voting Methods
Quoted at length, an interesting piece (in the form of a book review) by the New Yorker on election methods. Take a deep breath:
The voting method that is used in Britain—and that has been kept on in some of its former colonies, including the United States—may finally be replaced. ... a national referendum on changing the country’s main voting system ... will be held in 2011. If Britain does switch, as most other developed countries already have, the cause of voting reform in holdouts like the United States, India, and Canada could get a boost.
["First Past the Post" or "Winner Takes All" ]
In the standard British style of voting, each elector casts one vote, and the candidate with more votes than any other is elected. This is known as “first past the post”; the winner just needs to get more votes than anyone else, not achieve any threshold (such as a two-thirds majority). It is also called “winner takes all,” to distinguish it from some other methods, which elect the top two or more candidates.
In a contest between two people for one job, first past the post seems to be merely common sense. But, as soon as there are three or more candidates on the slate, it can quickly go awry. ...
Add political parties to the picture, and the winner-take-all system looks even worse. A party’s share of seats in a parliament or a congress can diverge wildly from its over-all share of votes. ... In this year’s election, the Liberal Democrat Party won more than a fifth of the votes and less than a tenth of the seats. That’s because Lib-Dem supporters today ... are thinly scattered across the land.
In a country with just two political parties, winner takes all can deliver a proportionate parliament or congress. But that’s only because the supporters of political parties tend to live in clusters. Say that fifty-three per cent of American voters are Democrats and forty-six per cent are Republicans (mirroring the vote in last year’s Presidential election). Then imagine that the supporters of the two parties were spread evenly throughout the country’s districts ... In that case, the Democrats would win every seat and there would be no Republicans in Congress.
[Rank Voting and Two-Stage Votes]
... Jean-Charles de Borda, a French mathematician and a naval hero of the American Revolutionary War, ... Borda’s main suggestion was to require voters to rank candidates, rather than just choose one favorite, so that a winner could be calculated by counting points awarded according to the rankings. The key idea was to find a way of taking lower preferences, as well as first preferences, into account....
Unfortunately, this method may fail to elect the majority’s favorite—it could, in theory, elect someone who was nobody’s favorite. It is also easy to manipulate by strategic voting. ...
... [T]he astronomer and mathematician Pierre-Simon Laplace, who was an important contributor to the theory of probability ... insisted on an over-all majority: at least half the votes plus one. ... Elections to the French National Assembly, and to the French Presidency, currently borrow from both Laplace and Condorcet. They use a two-stage method that guarantees a winning candidate with an over-all majority, by conducting a runoff round between the top two candidates from the first round. ...
[Proportional Representation]
... Another early advocate of proportional representation was John Stuart Mill, who, in 1861, wrote about the critical distinction between “government of the whole people by the whole people, equally represented,” which was the ideal, and “government of the whole people by a mere majority of the people exclusively represented,” which is what winner-takes-all elections produce. ...
The key to proportional representation is to enlarge constituencies so that more than one winner is elected in each, and then try to align the share of seats won by a party with the share of votes it receives. These days, a few small countries, including Israel and the Netherlands, treat their entire populations as single constituencies, and thereby get almost perfectly proportional representation. Some places require a party to cross a certain threshold of votes before it gets any seats, in order to filter out extremists.
The main criticisms of proportional representation are that it can lead to unstable coalition governments, because more parties are successful in elections, and that it can weaken the local ties between electors and their representatives. ...
The alternative voting method that will be put to a referendum in Britain is not proportional representation ... Known in the United States as instant-runoff voting, the method was developed around 1870 by William Ware ...
...
[Instant Runoff]
In instant-runoff elections, voters rank all or some of the candidates in order of preference, and votes may be transferred between candidates. The idea is that your vote may count even if your favorite loses. If any candidate gets more than half of all the first-preference votes, he or she wins, and the game is over. But, if there is no majority winner, the candidate with the fewest first-preference votes is eliminated. Then the second-preference votes of his or her supporters are distributed to the other candidates. If there is still nobody with more than half the votes, another candidate is eliminated, and the process is repeated until either someone has a majority or there are only two candidates left, in which case the one with the most votes wins. Third, fourth, and lower preferences will be redistributed if a voter’s higher preferences have already been transferred to candidates who were eliminated earlier.
At first glance, this is an appealing approach: it is guaranteed to produce a clear winner, and more voters will have a say in the election’s outcome. Look more closely, though, and you start to see how peculiar the logic behind it is. Although more people’s votes contribute to the result, they do so in strange ways. Some people’s second, third, or even lower preferences count for as much as other people’s first preferences. If you back the loser of the first tally, then in the subsequent tallies your second (and maybe lower) preferences will be added to that candidate’s first preferences. ...
Such transferrable-vote elections can behave in topsy-turvy ways: they are what mathematicians call “non-monotonic,” which means that something can go up when it should go down, or vice versa. ... In short, a candidate may lose if certain voters back him, and would have won if they hadn’t.
... [R]ecent work by Robert Norman, a mathematician at Dartmouth, suggests [a topsy-turvy result] would happen in one in five close contests among three candidates who each have between twenty-five and forty per cent of first-preference votes. With larger numbers of candidates, it would happen even more often. ... Burlington’s ... 2009 mayoral elections ... did go topsy-turvy.
... Kenneth Arrow, an economist at Stanford, examined a set of requirements that you’d think any reasonable voting system could satisfy, and proved that nothing can meet them all when there are more than two candidates. So designing elections is always a matter of choosing a lesser evil. ...
[Grade Voting]
There is something of a loophole in Arrow’s demonstration. His proof applies only when voters rank candidates; it would not apply if, instead, they rated candidates by giving them grades. First-past-the-post voting is, in effect, a crude ranking method in which voters put one candidate in first place and everyone else last. Similarly, in the standard forms of proportional representation voters rank one party or group of candidates first, and all other parties and candidates last. With rating methods, on the other hand, voters would give all or some candidates a score, to say how much they like them. They would not have to say which is their favorite—though they could in effect do so, by giving only him or her their highest score—and they would not have to decide on an order of preference for the other candidates.
One such method is widely used on the Internet—to rate restaurants, movies, books, or other people’s comments or reviews, for example. ...
[Approval Voting]
Approval voting, as used in the last round of old Venetian elections, is a rating system with just two grades: approved and not approved. ... The American Mathematical Society and the Mathematical Association of America, among others, use it for internal elections, though the larger Institute of Electrical and Electronics Engineers, which also adopted it, came to have second thoughts.
Range and approval voting deal neatly with the problem of vote-splitting: if a voter likes Nader best, and would rather have Gore than Bush, he or she can approve Nader and Gore but not Bush. Above all, their advocates say, both schemes give voters more options, and would elect the candidate with the most over-all support, rather than the one preferred by the largest minority. Both can be modified to deliver forms of proportional representation.
The fact that they escape Arrow’s proof, though, doesn’t mean that approval and range voting have no hidden kinks or paradoxes. Whether such ideas can work depends on how people use them. If enough people are carelessly generous with their approval votes, for example, there could be some nasty surprises. ... Parties in an approval election might spend less time attacking their opponents, in order to pick up positive ratings from rivals’ supporters, and critics worry that it would favor bland politicians who don’t stand for anything much. ...
... Although almost any alternative voting scheme now on offer is likely to be better than first past the post, it’s unrealistic to think that one voting method would work equally well for, say, the legislature of a young African republic, the Presidency of an island in Oceania, the school board of a New England town, and the assembly of a country still scarred by civil war. If winner takes all is a poor electoral system, one size fits all is a poor way to pick its replacements....
Saturday, May 29, 2010
Call it Country-Eastern
CNN reports:
...
Born in Ponca City, Oklahoma, to Egyptian immigrants, [Kareem] Salama has invented a genre of music by blending his family's roots with his country of birth. His songs incorporate the Arabic poetry of a medieval Muslim theologian with the iconic twang of American country music.
Country-eastern, some might call it.
"The messages I try to focus on -- and I think it's sort of the focus of country music generally -- is just values: family values, love, kindness, things like that," Salama said after a recent performance in Cairo, one of the first stops on the monthlong seven-country tour.
And while he may resemble his audience in appearance, his Southern-accent-infused Arabic -- admittedly rusty -- draws giggles from the crowd.
"Is that proper? Is that right?" he asked the audience after attempting an Arabic thank-you.
But with lyrics such as "I want to live in a land called paradise / I want to go the Valley of the Kings," Salama's cross-cultural approach is hitting home.
"He has really nice songs, written songs. His voice is amazing. His band is amazing," concertgoer Sheriin Ali gushed after Salama's Cairo performance.
According to the State Department, Salama's tour -- which will stop in Morocco, Kuwait, Bahrain, Syria, Jerusalem and Jordan -- "is designed to bring to audiences in the Middle East a rising American musical talent, representative of America's diversity of faith and heritage, who can serve as a bridge between Americans and the peoples of the Middle East."
...
Hat Tip: The Vulture
Labels:
Culture,
Entertainment,
Music,
USA
Monday, May 10, 2010
Coptic Church vs Azazel
The UK's Guardian reports:
...Youssef Ziedan's Azazeel (Beelzebub) is set in fifth-century Egypt, Alexandria and northern Syria, and looks at the turbulent period following the Roman Empire's adoption of Christianity and the internal doctrinal conflicts that arose between Church elders, as well as the clash between new believers and receding "paganism". Purporting to be the autobiography of an Egyptian-born monk and lover Hypa, who witnesses disputes in Alexandria as the city adopts Christianity, it is a bestseller in Egypt and last year won the $60,000 (£40,000) International Prize for Arabic Fiction, which is run in association with the Man Booker prize foundation.
Azazeel has provoked controversy in Egypt ever since its publication. The Coptic church denounced it as offensive for its violent portrait of Coptic church father St Cyril, and one critic said it "tries to Islamise Christian beliefs and takes the side of heretics". Now a group of Egyptian and international Coptic organisations have filed a complaint with the country's public prosecutor against Ziedan, a philosophy professor, accusing him of insulting Christianity. If he is found guilty, he faces up to five years' imprisonment....The author said that there had been many calls to ban Azazeel, with four books written attacking his novel, but so far the Egyptian government has not complied with the demands. "Other books have been published to defend the novel, not to mention hundreds of pro-Azazeel articles," he added. "Azazeel has kept on its wide circulation; 18 editions have been published within two years – an unprecedented incident in the history of Arab literature. All such events have increased the ire of the church, which resorted to a new technique last week."..."Many Orthodox bishops and monks welcomed the novel, and some of them wrote positively of Azazeel, whether in Egypt, Syria or Lebanon," said Ziedan, who has described his novel in the past as "not against Christianity but against violence, especially violence in the name of the sacred". "All in all, I did not expect - nor did anyone - that the novel would be used politically as it is used today."
Azazeel has already been published in Italy, where the author says it sold 20,000 copies in its first month on sale, and is lined up for publication in the UK by Atlantic Books in July next year.
Labels:
Culture,
Egypt,
Literature,
Religion
Subscribe to:
Posts (Atom)




